Mudras, along with asanas (reflecting the body),
mandalas (reflecting the spirit) and mantras (reflecting speech) all
provide expedient means in achieving enlightenment. Apart from
acknowledging this important aspect of the ritualistic use of mudras
in certain schools of Buddhism and the importance of Tantrism in
contributing to the expanded use of mudras, our attention is instead
directed to the other general type of mudra, the purely
iconographic, as represented in Buddhist/Hindu sculpture and
painting.
There are two types of mudras, single-hand and
double-hand. The single-handed mudras number 28 and are called
Aasanyukta. There are 23 double-handed mudras called Sawyakta.
|
ABHAYA (ABHAYAPRADA):
Gesture of
fearlessness and granting protection.
The Abhaya, or fearlessness gesture is one of the
most commonly depicted mudras, representing benevolence
and the absence of fear. The gesture confers onto others
the same freedom from fear, so this mudra can also be
interpreted to mean “fear not”. The gesture is made with
the right hand raised to shoulder height, with the arm
bent and the palm facing outward. A Buddhist legend
tells of when the historical Buddha was being attacked
by an angry elephant, he simply held up his hand in the
fearlessness gesture and calmed the raging animal.
|
|
ADHARA: Perineal mudra. |
|
AHAMKARA: Self-confidence. Self-confidence and
self-assertion. For counteracting fear and timidity.
Bend index fingers slightly and put the upper phalanx of
the thumb to the side of the middle phalanx of the index
finger, at the upper part. Other fingers are straight.
|
|
AHAYA VARADA: Beckoning to bestow a favor. |
|
AKASH (AAKASH / AKASHI): Sky posture. The sky has an
attribute - recess or space. Another attribute is sound.
Sound is regarded as the eternal spirit. Sound travels
in waves, which are scattered in the sky. By catching
the sound waves, we are able to hear these on radio. As
the sky provides space outside, so is the sky spreads
inside. The lack or excess of elements in the sky
outside leads to imbalance. The third attribute of the
sky is vacuum or nothingness. This is the attribute that
fills the sky. The sky can be filled only when it has
nothing. How can already filled sky be filled? The yoga
helps practice meditation in the inner space. Emotions
get purified when one concentrates in the heart. The
middle finger and the heart are interrelated.
Thumb and middle finger are joined. Index, ring, and
pinky fingers are extended. Mana (head) mudra. Mana
mudras form an integral part of kundalini yoga
because they utilize eyes, ears, nose, tongue and lips.
|
Aasanyukta Single Hand
|
ALA PADMA (ALAPADMA): Opened Lotus. |
|
AMALAKA: Amalaka Tree. The Samyama Nayaka
hand, i.e., the forefinger and the second finger
together in the middle of the palm, the rest of the hand
extended.
|
|
ANGARAKHA: Mars. Left hand Shuchi, right
hand Mushthi.
|
Sawyakta Double Hand |
ANJALI (GASSHO /
HRIDAYA / NAMASKARA):
Gesture of greeting and adoration, veneration, honor or
celebration, the diamond handclasp.
The
gesture of two palms pressed together and held near the
heart, means to "honor or celebrate". It is our Hindu
greeting, two joined as one, the bringing together of
matter and spirit, the self meeting the self in all.
This mudra is reserved for praying figures, which often
accompany a statue of the Buddha in the art of India or
South East Asia. The Anjali is made with two hands
joined vertically in front of the chest, as in the
attitude of prayer. This mudra evokes an offering of
good feelings of one towards another. This mudra can
also indicate veneration if it is made at the level of
the face. Hasta (hand), meditative mudra.
Redirects the prana emitted by hands back into body.
Universally used by people in India and South-East Asia
for salutation, it evokes an offering of good feelings,
of one’s person, etc. and also indicates veneration if
it is made at the level of the face.
|
|
ANJALY MUDRA:
Both hands are held above the head, the heels of the
palms are touching, the fingers and thumbs spread
outward and upward. Frequently an object is held, e.g.
an image of Amitabha is held by a tantric form of
Avalokiteshvara with this mudra.
|
|
ANKUSHA (ANKUSA):
The Ankusha mudra is the mudra of the goad or
curved sword, which symbolizes prodding seekers on
towards their ultimate goal, or cutting down the
iniquities of the ego.
|
|
ANUSHASAN: Discipline posture. Discipline is the
vital element of meditation. Without discipline,
meditation is not successful. The practitioner can
maintain discipline through his own discretion. He must
remain under the discipline of the Guru (teacher), so
long as his wisdom does not become awakened and he is
not enlightened.
Keep the index finger straight. Join the remaining three
fingers with the thumb.
|
|
APANA (APAN):
Gives energy and makes one more self-confident. The
tip of the second and the third fingers should be
slightly pressed against the inner part of the tip of
the thumb as shown. The other two fingers should be kept
straight. Improves the excretory system by cleaning the
waste from the body, cures constipation and stomach
aches caused due to which.
|
|
APAN MUDRA (APAAN): Flatus posture.
Relaxation, heart, physical and mental. Helps in
clearing the body by elimination of waste matter from
the mouth, eyes, ears, nose etc. Helps when urine is
obstructed, reduces constipation. The tip of the thumb
is touched to the middle and ring finger.
|
|
APAN VAYU (MRITSANJEEVINI):
First aid for heart attacks. The tip of the index finger should be pressed
slightly against the root of the thumb and second and
the third finger should touch the inner tip of the
thumb. Cures palpitation of the heart, strengthens the
heart and is good for heart patients. |
|
APAVIDHDHA: Osprey. THe Suchi hand relaxed.
|
Aasanyukta Single Hand
Deva Hand
|
ARAALAM (ARALA / ARELE): Bent or crooked hand.
Deva Vayu right hand. |
|
ARALA-KATAKAMUKHA: Giving pieces of betel leaf. |
Aasanyukta Single Hand
Deva Hand
|
ARDHA CHANDRA (ARDHACANDRA): Half moon.
Deva Saraswati's left hand. Both hands of Deva Parvati,
left up, right down (abhaya and varada, fear not and
charity). |
Aasanyukta Single Hand
Deva Hand
|
ARDHA PATAKA: Half flag. Deva Vayu
left hand. |
|
ARDHA RECHITA: Invitation. |
|
ARDHA SUCHI: half-needle. |
|
ARJUNA: Arjuna Tree. Simhamukha hand.
|
|
ASHOKA: Ash Tree. Pataka hands crossed,
i.e., touching at the wrists and moving freely to and
fro.
|
|
ASHWINI (ASHWANI / ASHWATER): Mule.
Nagabandha hands directed upward indicating cow-ear.
Contraction of anal sphincter.
|
|
ASVATHTHA: Pipal Tree. Alapadma hands
waving the fingers.
|
|
AVAHANA (AVAHANI):
The Avahani mudra is the mudra of invitation.
It is used to invoke the deity into the presence of the
worshiper. |
Double Hand Gesture
|
AVAHITTA (AVAHITHA): Dissimulation. |
|
AVAKASHA: Gesture of leisure, this is a left hand
gesture.
The sitting person is holding their left hand on
their lap with palm upward.
|
Ten Avatars |
BALARAMA: Left hand Mushthi, right hand Pataka.
|
|
BANA HASTA: Arrow. |
|
BARA:
|
|
BANDHANANA (BANDHA / BAKU): Inner binding, heart and
compassion of Buddha. Hand gesture formed by
clasping both hands together with the fingers
interlocking. When the fingers are interlocked on the
outside, it is called gebaku (lit. "outer bind"), while
when they are interlocked on the inside, it is called
naibaku (lit. "inner bind"). Naibaku constitutes inner
binding and represents the vow of the many Buddha to
help all sentient beings. Gebaku represents one's vow to
become enlightened. It also symbolizes the heart, and
compassion, of the Buddha.
|
|
BHAILUKA: Bear. Left hand Padmakosha face
downward, right hand Pataka placed on the back of the
left hand.
|
|
BHAIRAVI:
Hasta (hand), meditative mudra. Redirects the prana
emitted by hands back into body.
|
|
BHARTRI: Husband. |
|
BHARTUR-BHRATRI: Brother-in-law. |
Denotes Caste |
BRAHMANA:
Shikhara with both hands as if holding the sacred
thread, the right hand moving to and fro.
|
Sawyakta Double Hand
|
BHERUNDA HASTA: A pair of birds. |
|
BHOOCHARI: Practice of the external stage of
dharana; gazing into space after focusing on the finger
nail of the hand held in front of the face. Mana (head)
mudra. Mana mudras form an integral part of kundalini
yoga because they utilize eyes, ears, nose, tongue and
lips.
|
Aasanyukta Single Hand
|
BHRAMARA (BRAHMARA): Bee. Good for
allergies. Place the index finger in the fold of the
thumb and the tip of the thumb on the side of the middel
fingernail. The ring and little finger are relaxed and
extended. Do this with each hand. |
|
BHUDI (BHUDDI / BHUDY / BHUDDY / BUDDHI):
Improves feeling and intuition and helps maintain the
fluid balance in the body. Tip of little finger (Mercury) touches tip of
thumb for clear and intuitive communication.
Harmonizing.
|
|
BHUJANGINI: Mana (head) mudra. Mana mudras form an
integral part of kundalini yoga because they
utilize eyes, ears, nose, tongue and lips.
|
|
BHUMISPARSHA (BUMISPARA):
Gesture of touching the earth, calling the earth to witness.
Literally Bhumisparsha translates into
'touching the earth'. The gesture of "touching the
earth" or as it is also referred to, the “earth witness"
mudra commemorates the posture in which Shakyamuni
overcame the obstructions of the demon Mara while
meditating on Truth. This mudra, formed with all five
fingers of the right hand extended to touch the ground,
symbolizes the Buddha's enlightenment under the bodhi
tree, when he summoned the earth goddess, Sthavara,
to bear witness to his attainment of enlightenment.
|
|
BHUTADAMARA (BHUTADAMAR): Warding off evil gesture.
Bhûtadâmara, also called "Trailokyavijaya" or
awe-inspiring mudra. It shows the hands crossed at the
wrist, the right hand over the left hand, palms turned
outwards. Usually the two middle fingers are slightly
bent and the hands may both hold additional symbols like
Vajras and Ghanta.This is frequently seen in the
representations of Vajrapani and Bhutadamaravajrapani.
|
|
BRIHASPATI: Planet Jupiter. With the two index fingers together, the power
of Jupiter, or good luck and expansion is activated.
Together they focus your energy to break through
barriers.
Shikhara with both hands as if holding the sacred
thread.
|
|
BRISCHIK: Scorpion. The Karkata hand is
directed downwards.
|
|
BUDDHA (BUDHA):
Planet Mercury. Right hand rests on left for men, left on right for
women, palms up, thumbs tips touching each other in a
receptive gesture. Left hand Mushthi askew, right hand
pataka.
|
|
BUDDHAPATRA: Gesture of the Buddha’s Alms bowl.
This is one of the mudras distinctively identified with
Shakyamuni Buddha. Here the two hands are placed
horizontally in opposition to hold an actual or
figurative begging bowl at the level of the breast, one
hand above and the other underneath. In some variations,
the bowl is replaced by a wish-granting jewel or by a
treasure box.
|
|
BUDDHASRAMANA: Gesture of salutation, greeting.
In this mudra the right hand is lifted in line with
the shoulder, the wrist bends backwards and the fingers
and the palm face upwards. The fingers point outward,
away from the body. The is the gesture of Vasudhara and
Usnishijaya. This mudra is a gesture of enlightenment.
|
|
CHAGA: Goat. Shikhara hands in contact face
to face.
|
Sawyakta Double Hand
|
CHAKRA (CAKRA):
This Hasta is used to show Chakra, the weapon of Lord
Vishnu, disc.
Spread all fingers wide. bring the right hand on top
of left hand with palms touching each other, and little
finger of right hand touching the thumb of left hand and
vice versa. A chakra formation is shown.
|
|
CHAMPAKA: Champaka Tree. Langula hands
downwards.
|
|
CHANDRA: Moon. Left hand Sola-padma, right
hand pataka.
|
Aasanyukta Single Hand
|
CHANDRA KALA (CANDRAKALA): Digit of the moon. |
Double Hand Gesture
|
CHATAKA: Cart. |
Aasanyukta Single Hand
Deva Hand
|
CHATURA (CATURA): Square, four fingered.
Brahma's left hand. |
|
CHATURASHRA: |
|
CINCIHNA (CHIN / CIN): Gesture of understanding.
Thumb and index finger grasp a fine object as a a
grain of truth. This is a symbol for the spiritual
understanding. Assume the Gyan mudra but invert your
hands for the palms facing towards the floor. Helps
asthmatic patients when followed with the breathing
technique. Attitude of chitta or consciousness. Hasta
(hand), meditative mudra. Redirects the prana emitted by
hands back into body.
When the fingers point up it is called Gyan (Jnana)
mudra when they point down it is called Chin mudra.
|
|
DAMPATI: Husband and wife. |
|
DANDA HASTA: Gesture of Shiva indicating that the
devotee should seek refuge under his lifted foot. |
|
DHARMACHAKRA (DHAMMAKAKKA):
Gesture of turning the wheel of the teaching, the
first sermon.
Means the 'Wheel of Dharma' in Sanskrit. Symbolizes
one of the most important moments in the life of the
Buddha, the occasion when he preached to his companions
the first sermon after his Enlightenment in the Deer
Park at Sarnath. It thus denotes the setting into
motion of the Wheel of the teaching of the Dharma.
|
|
DHENU (SURABHI): Fragrance posture. Surabhi mudra
is also called Dhenu mudra. As per Indian system, dhenu
means cow. It symbolizes virtue (Satvikata) and
excellence. The other meaning of surabhi, as per
dictionary, is Kamadhenu (the special cow) which gives
desired boons. Similarly, with Surabhi mudra a person
acquires the desired power. While making Surabhi mudra,
fingers take the shape of udders of a cow. Milk is
obtained from the udders of cow, which gives strength to
the body. Similarly, the Surabhi mudra makes the body
balanced and strong.
According to Ayurveda, by maintaining balance between
wind (vata), bile (pitta) and phlegm (kuff), body
remains healthy. Imbalance is the source of diseases.
Surabhi mudra balances the wind, bile and phlegm. It
makes the body healthy. The body of man is physical, it
is atomic. Proper combination of atomic energy makes the
body strong. Improper combination weakens the body
Balance of all the five elements in body results in
health, otherwise problems arise. Fingers of the hand
represent all the five elements. The balanced order of
five elements in the body leads to development. Surabhi
mudra strikes balance in all the five elements.
Hold both hands together with fingers touching each
other forming a hollow and four sets of fingers forming
the nipples of udder of cow. Join the little finger and
ring finger, then join the middle finger and index
finger together. This pose can also be called "cow
posture" as the mudra makes cloven hooves of your hands,
|
|
DHYANA (SAMADHI / YOGA
MUDRA): Gesture
of meditation and absolute balance.
In South East Asia, this mudra is frequently used in
the image of the seated Buddha, the joined thumbs do not
form a "mystic triangle" and are placed against the
palm. The position of the Samadhi mudra with the joined
thumbs forming a triangle is symbolic of the Tiratana
(Three Jewels) namely the Buddha, Dharma and Sangha. The
triangular form also indicates the firmness of the body
and of the mind.
|
Sawyakta Double Hand
|
DOLA: Used at the beginning of a dance, swing. |
|
GABHI: Cow. The Sankima Mudra hand, i.e.,
the middle finger is bent and all the others extended,
also indicating Yantra-bheda.
|
Deva Hand
|
GADA:
Deva Kuvera right hand. |
|
GANESHA:
The Elephant God. Ganesha is the elephant god who overcomes all
obstacles. Reportedly, this mudra stimulates heart and
lung activity and opens the fourth chakra supplying
courage, confidence, and openness to other people. Hold
your left palm in front of your heart with the palm
facing away from you. Face your right palm toward you
and hook the fingers. Take a deep breath in; as you
exhale strongly pull the hands away from each other
without releasing the fingers. On your inhalation
release, still keeping the fingers linked. Do this six
times. Let the hands, still linked, rest against your
sternum for a moment. Then repeat the same exercise with
the hands facing in opposite directions. Sit quietly for
a moment and notice the energy in the heart and lung
areas.
|
|
GARDHABA: Ass. THe Shinonjali hand, i.e.,
the forefingers of the Kadanjali hand all bent in
contacts.
|
Sawyakta Double Hand
|
GARUDA HASTA (GARUDAPAKSHA):
Eagle, Garuda wing. Strengthens and invigorates
the organs and the circulation. Interlock both little fingers (forms tail); bring
back of the knuckles together; join the thumb (forms
beak); six fingers form the wings of garuda. |
|
GIRIKA: Mole. The Khanda-Mukula hand, i.e., the
forefinger of the Mukula hand is bent and moved to and
fro (Tiryak-parsarita).
|
Gyan Passive
|
GYAN (GIN / GNYAN /
GUYAN /
JNANA): Posture of knowledge, instruction by
silence or contemplation, Gesture of teaching, intuitive
knowledge. Touch the tip of your
thumb with the tip of your index finger and keep the
remaining fingers absolutely straight. This mudra
increases mental power and sharpens memory. Increases
brain power, mental concentration, memory, intellect.
Cures insomnia, if done in the night by relieving
tension inducing peaceful sleep. In meditation the flow
of energy increases towards the astral self. Hasta
(hand), meditative mudra. Redirects the prana emitted by
hands back into body.
When the fingers point up it is called Jnana mudra
when they point down it is called Chin mudra. |
Aasanyukta Single Hand
Deva Hand
|
HAMSA ASYAN (HAMSAYA / HAMSASYA): Swan's beak or
bill. Brahma's right hand. |
Aasanyukta Single Hand
|
HAMSA PAKSHA (HAMSAPAKSYA): Swan's wing. |
|
HANSI: Laughter posture. Laughter is a symbol for
wisdom. It is a means of expression of person's wisdom.
Hansi mudra is used for nutritive activities. It leads
it all-round prosperity
Tips of all but little finger are pressed by the front
tip of the thumb, for forming this mudra.
|
|
HAKINI: Body, mind and soul. Help for
concentration. Let the tips of the
corresponding fingers of each hand touch. People tend to
naturally put their fingers in this position while
talking. This helps to concentrate. This finger position
has been researched quite well; it has been determined
that it promotes the cooperation between the right and
left brain hemispheres. It is also recommended today in
memory training. It opens access to the right
hemisphere, which is where the memory is stored. This
mudra also improves and deepens respiration, and the
brain profits from it as well.
|
|
HARINA: Gesture of teaching. In this mudra the
thumb along with the second and third fingers touch the
tips, forming a ring. The little and the index fingers
extend upwards.
|
|
HINTALA: Hintala Tree. Kartarimukha hand.
|
|
IGUANA: Iguana. Tala Pataka hand, i.e., the
thumb and the little finger of the Pataka hand are
slightly raised.
|
|
JAMBU: Jambu Tree. Ardhapataka hand.
|
|
JYESHTHA-KANISHTHA BHRATRI: Elder or younger
brother. |
|
KADALI: Tree. Mukula hands interlocked,
extended and the finger is waved.
|
|
KAKI:
Mana (head) mudra. Mana mudras form an integral part
of kundalini yoga because they utilize eyes,
ears, nose, tongue and lips.
|
|
KALESVARA:
This mudra calms the mind. It is powerful and can
change character traits and eliminates addictive
behavior. The middle fingers of both hands should touch
at the tips. The first two joints of the index finger
and the thumbs should touch.
|
Ten Avatars |
KALKI: Left hand Tripataka, right hand Pataka.
|
|
KAMI: Kami Tree. Kartarimukra interlocked.
|
Aasanyukta Single Hand
Deva Hand
|
KANGULA (LANGULA): Tail, bell. Deva Agni
left hand. |
|
KAPI: Monkey. The Adho-Mushthi-Mukula hand
is used, i.e., the thumb and second finger of the
Mushthi hand are joined.
|
|
KAPI DHAKAM: The fruit of the tree. |
Aasanyukta Single Hand
Deva Hand
|
KAPITTHAKA (KAPITHA / KAPITHTHA):
Elephant Apple Tree. Alapadma hands crossed.
Deva Lakshmi two hands held at shoulder. Deva
Ganesha uses two hands held on the thighs. |
Sawyakta Double Hand |
KAPOTA (KAPOTHA): To make promise, Speak to the
teacher, To be polite, to agree, pigeon, humble.
In Anjali Hastha, only the borders of the hands are
joined, the palms should not touch one another.
|
|
KARANA: Gesture of banishing, expelling demons.
Indicates the hand stretched out, either horizontally or
vertically, palm turned forward. The thumb presses down
the middle two fingers (like the horns of a Yak against
an enemy), while the index and litle fingers extend
straight upwards. You can find abhayamudrâ sometimes
also as a left-hand gesture. Ekajata and Yama frequently
shown in this mudra.
|
Aasanyukta Single Hand
|
KARTARI MUKHA (KATARI):
Arrow shaft face. This mudra is held with the hands at shoulder level.
The thumb and the ring finger (third finger) touch the
tips forming a circle. The index and middle finger
extend straight resembling rabbits ears or the horns of
a deer. Frequently, symbols appear between these two
fingers.
|
Sawyakta Double Hand
|
KARTARI SWASTIKA (KARTARISVASTIKA): Crossed
arrowshafts, crossed scissors.
Fingers held like scissors to hold a weapon.
|
|
KARTHAREE: Scissors sharp point. |
Sawyakta Double HandDeva Hand
|
KATAKA HASTA (KARBTA / KARKATA / KATAKAM / KARTAKAM): Golden bangle,
holding a flower, calling and moving, crab.
A fist like mudra in which the fingers bend together
until the thumb and the index finger meet, forming an
open tube. This position is frequently used in icons in
which fresh flowers or other venerated objects are
inserted. Deva Manmatha's right hand.
|
Aasanyukta Single Hand
|
KATAKA MUKHA (KATAKAMUKHA):
Opening in a bracelet, crab face. |
Sawyakta Double Hand
|
KATAKA VARDHANA: Mating. |
Sawyakta Double Hand
Deva Hand
|
KATVA HASTA (KHATVA / KHATWA): Cot, bed.
Deva Nairita hand. |
|
KATVA VALAMBITA: Ease sorrow. Making a
gesture below the waist to signal the easing of sorrow.
|
|
KAULINI: |
|
KESHA-BANDHA: Trying the hair. |
|
KETAKIL Screw Pine Tree. Pataka and Chatura
hands crossed at the wrists.
|
|
KETU: Serpent monster. Left hand Suchi,
right hand Ardhapataka.
|
|
KHADIRA: Khadira Tree. Tamrachuda, face
downwards.
|
|
KHECHAD: Tongue lock. |
|
KHECHARI (NABHO): Mana (head) mudra. Mana mudras
form an integral part of kundalini yoga because
they utilize eyes, ears, nose, tongue and lips.
|
Sawyakta Double Hand
|
KILALA HASTA (KEELAKA / KILAKA): Link, bond,
affection. |
Sawyakta Double Hand
Ten Avatars
|
KOORMA (KURMA): This Hasta is used to show
Turtle, Tortoise. Opposite of Chakra Hastha.
Stretch the thumb & little fingers & fold the other
fingers in Chakra Hastha to show Koorma Hastha. The
Matsya hand is shown, when both hands as Tripataka are
leveled at the shoulders.
|
|
KOROVI:
|
Ten Avatars |
KRISHNA: Mrigasirsha hands facing one another on
the shoulders.
|
|
KRISHNA SARA: Black antelope. The Mushthi
Mriga hand, i.e., the thumb and little finger of the
Mushthi hand are extended.
|
|
KSHEPANA (KSEPANA): Sprinkling of Ambrosia, nectar
sprinkling. Simulates elimination through the
large intestine, skin and lungs. It helps relieve
tensions of all kinds. The two hands join, palm to palm, and
the index fingers extend together and usually point
downwards towards a vase or container. The other fingers
and the thumbs are intertwined.
|
Denotes Caste |
KSHATRIYA:
Shikhara with left hand moving to and fro, Pataka
with the right.
|
|
KUBERA:
Make a wish. Opens and decongests, cleanses the frontal sinuses,
especially if you draw the air upward while inhaling. It
also gives us inner repose, confidence, and serenity.
The practice is simple. In your mind, formulate your
wish or goal very clearly into words. Ask your heart
whether this is good for you and whether it enriches
your surrounding world. Now place the three fingers
together, phrase your wish in a positive way, as you say
it out loud three times. Press your fingers together
while you do this.
|
|
LAKUCHA: Lakucha Tree. Bhramara hand.
|
|
KURUVAKA: Kuruvaka Tree. Kartari and
Tripataka hands crossed.
|
|
LALITA: Mountain. |
|
LELIHANA: The Lelihana mudra literally means
"Sticking Out." It is the mudra which indicates, "It is
You and only You who is our salvation."
|
Sawyakta Double Hand |
LINGA (ANGUSHTHA / LING): Thumb Posture, Phallus.
Boosts the body's immune system and loosens the mucous
in the lungs. Makes the body more resistant to colds and
chest infections. Those who habitually suffer from bad
colds and incurable chest infections are advised to
practice Linga mudra. Also helpful in weight reduction.
Because of the heat it generates, this mudra can be
taxing and can result in a feeling of lethargy.
Form a fist like figure by crossing/ entangling all the
fingers while keeping the thumb of the left hand
straight. Increases the resistance power of the body
against cold and bronchial infections and change in
weather. Gives power to the lungs, creates heat in the
body and burns accumulated phlegm and stops production
of phlegm altogether and invigorates the body
completely.
|
|
LOLA: Going freely. |
|
MAHA: Great attitude. Combination of bandha
and mudra. Charges body with prana and prepares for
awakening kundalini.
|
|
MAHA BHEDA: Great piercing attitude.
Combination of bandha and mudra. Charges body with prana
and prepares for awakening kundalini.
|
|
MAHA VEDHA:
Combination of bandha and mudra. Charges body with
prana and prepares for awakening kundalini.
|
|
MAHASIR:
Good for headaches/migraines, relieves tension and
eliminates mucous congestion in the front sinuses. The
tips of thumb, index finger and middle finger should
touch each other. Extend the little finger and place the
ring finger into the fold of the thumb.
|
|
MAKARA: Sea, crocodile. Activates kidney
energy. It taps your reserves of strength. Place one
hand inside the other and extend the thumb of the lower
hand through the little finger and ring finger of the
other and place it in the middle of the palm of the
upper hand.
|
|
MANDARA: Mandara Tree. Khandwa Chatllo
hand.
|
|
MANDUKI: Frog attitude. Kaya (postural)
utilizes asanas with breathing and concentration.
|
|
MANIDHARA: Gesture of holding the jewel. The hands
are arched and hold a wishing juwel, which can not be
seen because of it´s transparency. This is a mudra of
Avalokiteshvara, and is often confused with the similar
gesture of greeting.
|
|
MANTANQI (MATANGI):
Strengthens the breathing impulse in the solar
plexus. |
|
MARLAR: Cat. The Ardha-Mukula hand, i.e.,
the thumb and third finger of the Mushthi hand are
joined.
|
|
MATAI: Mother. |
Sawyakta Double Hand
Ten Avatars |
MATSYA:
Fish. The Matsya mudra is the mudra of the fish, which
symbolizes swimming across the ocean of worldliness
without fear. Shree Maa tells us to be like the
fish at the bottom of the pond. He is always in the mud,
but never dirty.
|
Aasanyukta Single Hand
|
MAYURA: Peacock. Surya? |
|
MIDA-NO JOUIN:
|
|
MERU:
Clasp both hands interlocking all fingers in between
each other. Open only middle fingers pointing down to
earth. a form of gadaa is shown.
|
Aasanyukta Single Hand
Deva Hand
|
MRIGA SEERSHA (MRGASIRSA / MRIGA SIRSA / MRIGASHIRSHA): Deer's head.
Deva Shambhu's left hand. |
|
MRIGI (MRIGA / MRUGI): Antelope posture. Symbolic of deer,
a very innocent creature. Among vegetarians deer is one
of the animals that can be seen leaping in hermitage.
Hide of deer is used by sages as their seats. The Mrigi
mudra is one of the mudras that are used during worship,
adoration, recitation of hymns and meditation rituals.
For its simplicity, virtuousness and naturalness, The
formation looks like a fawn.
|
|
MUDGARA:
|
|
MUDRAAKHYA: |
|
MUDRA OF SUPREME WISDOM:
The right index finger is grasped by the five fingers
of the left hand. This mudra, characteristic of
Vairochana, is the subject of many interretations in
esoteric Buddhism, most which have to do with the
relationship between the empirical world of manifoldness
and the principle that is its basis-the unified world
principle, the realization of unity in the manifold as
embodied in Buddha.
|
Aasanyukta Single Hand
|
MUKULA (MUKULAM / MUKULA HASTAM): Flower bud,
blossom. Organ support and relaxation. Has a sharp
focus for healing energy, like a laser beam or a shaft
of light which is directed to the area of concern. It
can be a very effective healing tool. This mudra is
placed on the organ or body part that hurts or is tense.
It is also akin to directing energy to a specific part.
Cup your hand and place four fingers on the thumb. Your
hand should resemble a cone, place on the part of your
body that needs help.
|
|
MUKURA: Mirror.
|
|
MUSHIKA: Mouse. The Khanda-Mukula hand,
i.e., the forefinger of the Mukula hand is fully
extended.
|
Aasanyukta Single Hand
|
MUSHTI (MUSTI / MUSHTHI):
Fist, holding things. Helps with aggressions.
Promotes digestion and helps cure constipation. Bend the
fingers inward and place the thumb over the ring
fingers. Make both hands into fists. |
|
NAGA: Deep insight. Used to solve everyday
problems. It helps work through obstacles we encounter
on our spiritual path. Cross the hands in front of the
chest and cross the thumbs over each other.
|
Sawyakta Double Hand
|
NAGABHANDHA HASTA: A pair of serpents, serpent
heads, the coil of a snake. |
|
NALINI-PADMAKOSHA: Cluster of flowers. |
|
NANANDA: Sister-in-law. |
|
NARANGI: Orange Tree. Padmakosha hand.
|
Ten Avatars |
NARASIMHA:
Left hand Simhanukha, right hand Tripataka.
|
|
NASIKAGRA DRISHTI (AGOCHARI):
Mana (head) mudra. Mana mudras form an integral part
of kundalini yoga because they utilize eyes,
ears, nose, tongue and lips.
|
|
NIMBASALA: Nimbasala Tree. Shukatunda hands
crossed.
|
|
NISHEDHA: Warning. |
|
NRISHABHA: Bull. The Tal Simha (i.e., Simha
Mukha with the back of the hand in the horizontal
plane), the second and third fingers are bent to touch
the palm, and the thumb placed over them with the other
two fingers extended.
|
|
OCISTA:
Mayura? |
Aasanyukta Single Hand
Deva Hand
|
PADMAKOSHA (PADMA / PADMAKOSA): Lotus bud.
Deva Kuvera left hand. |
|
PALASA: Palasa Tree. Ardhachandra hand.
|
|
PALLAVA: Sprout. |
|
PALLI:
|
|
PANASA: Bread Fruit Tree. Chatura hand.
|
|
PANKAJ (ANA): Lotus posture. As per Indian system, lotus
is a symbol of purity Like a lotus, which remains
detached from the mud in which it blooms, a sage remains
detached from the mud of attachment, while continuing
his meditation.
By keeping the fingers like lotus, the Pankaj mudra is
formed. In this mudra both the thumbs and little fingers
touch each other. This mudra- develops the fire and
water elements and refines those elements. Like the
lotus, which blooms at sunrise, the fire element makes
the inner lotus bloom. At night, like the blooming of
lotus under moonlight the water element also brightens
the face (Chandra Kamal). The remaining fingers face
each other, which naturally leads to transition of their
virtues, leading to development of the capability to
provide vital energy to others.
|
Ten Avatars |
PARASHURMAMA:
The left hand on the hip and the Ardhapataka with the
right hand.
|
|
PARIJATA: Parijata Tree. The Trijnana hand,
i.e., Pataka with both hands twisted upwards.
|
|
PARINIRVANA: Reclining, Buddha's "moment of death".
The Buddha, Shakyamuni died peacefully at the
age of eighty or eighty-one in a grove of trees near
Kushinagara in northern India. In sculptural
representations of the Buddha’s death, he is most
commonly depicted laying on his right side, and wearing
a peaceful, serene expression when he left his physical
form and passed into final enlightenment.
|
Sawyakta Double Hand
Deva Hand
|
PASA HASTA (PASHA): Noose, cord, chain.
Deva Yama left hand. |
|
PASHINEE:
Kaya (postural) utilizes asanas with breathing and
concentration.
|
|
PATALI: Patali Tree. Shukatunda hand.
|
Aasanyukta Single Hand
Deva Hand
|
PATHAAKA (PATAKA): Victory banner, flag.
Beginning of Natya. Deva Varuna left hand. |
|
PITRI: Father. |
|
PRAN (PRANA): Vital air posture. Life mudra,
helps fatigue, nervousness and is vitalizing. The vital
air (pran vayu) enters the lungs along with breath. In
turn, lungs mix it with blood and send it to the heart.
Action of combustion starts when glucose present in
cells and vital air (oxygen) present in blood come into
contact, which produces energy The pranacharya have
identified five types of air in the body - pran, apaan,
samaan, udaan and vyaan. They are spread in various
parts of the body.It is the pran that energizes the
body. Excess or deficiency of pran creates imbalance.
Pran mudra is used to strike the balance of pran and
keep the body energetic. Vayu means wind. Any disorder
of this element in the body is taken care with this
mudra. Helps in pains, rheumatism, gout, arthritis,
Parkinson’s disease, paralysis and any blood circulatory
disorder. Also corrects the disorder of the gas in the
stomach.
The tips of the ring finger and little finger should be
slightly pressed against the tip of the thumb. Increases
life force, immunity, increases muscular strength,
removes fatigue, nervousness, increases power of the
eyes and reduces the number of the spectacles. Kaya
(postural) utilizes asanas with breathing and
concentration.
|
|
PRANAMA: |
|
PRARTHANA: Gesture of prayer. The Prarthana
mudra is the mudra of prayer, and the worshiper who
demonstrates this mudra prays for purity and clarity.
|
|
PRITHVI (PRITHIVI):
Helps insecurity, stimulates the liver and stomach. The earth element is also a constituent in the
formation of the body. It is a gross element, which has
more weight content. By Prithvi mudra, the earth element
is balanced. The earth is a fundamental element, which
helps evolution of life. It is like a mother to living
beings. The earth has endurance capacity. The Jain
scriptures exhort ascetics to make themselves like
earth. 'Prithvi same muni hveja'. The Prithvi mudra is
useful for developing the quality of steadiness. A
steadfast person can be forbearing. The earth tolerates
all types of circumstances. Whatever be the conditions -
winter, summer or rains - the earth remains balanced.
Not only this, the earth forgives all those who defile
it and pollute the environment. The solid element,
present in the body, is a part of the earth. We take
earth element only from the food we eat. The deficiency
of earth element weakens the body. The Prithvi mudra is
useful for the development of earth element in the body.
The ring finger, which denotes the earth element, is
used in worshipping and applying auspicious mark (tilak).
Sit down comfortably. Touch your ring finger to the
tip of the thumb and press it little. Rest three fingers
should be held straight and then keep your palm at your
knee. Removes physical weakness, increases vitality,
luster and glow and gives chetna shakti, gives life to
the sick and bliss to the healthy. Strengthens and
energies the body and makes the mind liberal and happy.
Makes the body balanced and smart.
|
|
PRAYER MUDRA:
Palms are pressed together, neutralizing and
balancing yin and yang, for centering.
|
|
PUGA: Areca Nut Tree. Padmakosha hands
crossed.
|
|
PUNKHITA: Dove. THe Kapota hand fluttered.
|
|
PUNNAGA: Punnaga Tree. Pataka and Chatura
hands.
|
|
PUSHAN:
Stimulates the digestive tract and breathing.
Dedicated to the sun god. It signifies accepting and
receiving with one hand and letting go with the other.
Helps digestion and elimination. Also stimulates the
brain. The tips of the right thumb, index finger and
middle finger are on top of each other and the other two
fingers. The ring finger and little finger are extended.
|
Sawyakta Double Hand
|
PUSPAPUTA (PUSHPAPUTAKA / PUSHPAPUTA / PUSPAPUTA):
Flower basket, handful of flowers, flower casket.
Pushpa means flower, this mudra is about openness and
acceptance. The gesture itself resembles that emotion.
Place both hands open and upwards against the thighs,
relaxed and with the thumbs placed against the outer
edge of the index finger.
|
|
PUTRA: Son. |
|
RAHU: Bodyless monster. Left hand
Sarpashirsha, right hand suchi.
|
Ten Avatars |
RAJASA:
Both hands Shakata held on the face.
|
|
RALASA: Mango. The Tripataka hand.
|
Ten Avatars |
RAMCHANDRA: Right hand Kapiththa, left hand
Shikhara, held respectively near and far.
|
|
RIPUJIVHA:
|
|
RUDRA:
Ruler of the solar plexus. Strengthens the earth
element and its organs. A good antidote for weakness. Place tips of index finger and ring finger together
on top of the tip of thumb, with other fingers extended
comfortably.
|
|
SAHAJOLI: Contraction and release of the urinary
passage in the female body to stimulate.
|
|
SAMANA:
Helps in digestion and also cures various problems
associated with the digestive system.
|
|
SAMANVAY: Co-ordination posture. |
|
SAMBAHANI: The Sambahani mudra symbolizes that "I
am binding You with all my power not to leave me until
my worship is not complete. For so long as I pay
attention to You, You must stay and receive it."
|
Aasanyukta Single Hand
|
SAMDANSA (SAMDAMSAM / SANDAMSA): Pincers,
grasping, tongs. |
|
SAMMUKHI:
|
|
SAMNIDAPANI: The Samnidapani mudra is the mudra
which indicates apology for any inconvenience it may
cause the deity to be summoned in this manner. We
understand that many devotees are requesting Her
presence. Even still, we request Her to pay attention to
Me, and apologize for Her inconvenience.
|
Sawyakta Double Hand |
SAMPUTA (GAMPUTA): Casket, covered box. To
cover things and to show the sacred box in which the
idols are placed the Samputa Hasta is used.
|
|
SANKALPA:
The Sankalpa mudra is used for stating the date, time
and place, the performer, proposed activity and purpose,
prior to the commencement of worship.
|
|
SANNIRUDHA:
|
|
SANNITAPA:
|
|
SANSTHAPANA:
|
|
SAPATRI: Co-wife. |
|
SARASA: Crane. Paradise Mukula hand, i.e.,
the forefinger of the Bhramara hand is placed on the
thumb and fluttered.
|
|
SARMEYA: Dog. THe Madhya Pataka hand, i.e.,
the little finger of the Pataka hand is bent.
|
Aasanyukta Single Hand
|
SARPA SIRASS (SARPA SIRSA / SARPASIRAS / SARPASHIRSHA): Serpent's head,
hood. |
|
SARVABEEJA:
|
|
SARVAKARSHINI:
|
|
SARVAKHECHARI:
|
|
SARVAMAHANKUSHA:
|
|
SARVASANKSHOBHINI:
|
|
SARVAVASHANKARI:
|
|
SARVAVIDRAVINI:
|
|
SARVONMADINI:
|
Sawyakta Double Hand
Deva Hand
|
SHAKATA (SAKATA HASTA): This Hastha is used to
show Demons, car. Deva Narita hand. |
|
SHAKTI:
In honor of Shakti, the goddess of life energy. This
practice stimulates breathing in the lower chest area.
It has a calming effect and will help you to sleep at
night. It can also help to counteract spasms in the
intestines and menstrual cramps. Touch the tip of your
right ring and pinky fingers to your left ring and pinky
fingers. Bend your other fingers lightly over your
thumbs. Breathe deeply into your abdomen, all the way
into the pelvic bowl. Make the exhalation as slow as
possible. Do as needed or three times daily for 12
minutes. May induce lethargy if overdone.
|
|
SHAMBAVI (SAMBAVI):
Eyebrow center gazing. This mudra has been found to have a stress reducing
effect. Sit in a comfortable position. Place hands in
the jnana or chin mudra. Direct our gaze upward toward
your third eye point. Focus your awareness on your
breath. End the mudra when your eyes become tired. Mana
(head) mudra. Mana mudras form an integral part of
kundalini yoga because they utilize eyes, ears,
nose, tongue and lips.
|
|
SHANAISCHARA: Planet Saturn. Left hand
Sarpashirsha, right hand trishula.
|
Sawyakta Double Hand |
SHANKH (SANKHA / SHANKA / SHANKHA / SHANKARA): Shell posture,
conch.
The conch is considered to be an auspicious object in
the Indian system. It is used for worshipping the God.
It is with the sound of conch that the doors of temples
are opened. Our lives are most affected by sound. The
sound waves prevent calamities and also help in
attaining the desired goals. First aid for throat and
larynx.
The left thumb should be held in the right fist and
then the left index finger should touch the right thumb.
Good mudra for the thyroid function and correction of
any disorder. Benefits the intestine and corrects any
problem therein and with the organs of the digestive
system.
|
|
SHANMUKHI (SANMUKHI): Closing the seven gates.
Mana (head) mudra. Mana mudras form an integral part of
kundalini yoga because they utilize eyes, ears,
nose, tongue and lips.
|
|
SHASHAK: Hare. The Tara-pataka hand is
moved horizontally (tiryak).
|
|
SHIVA LINGA (SHIVANLINGUA): Shiva's phallus.
Is a masculine force and a symbol of destruction and
subsequent regeneration. Place the right hand with the
thumb extended upward on top of the left hand. The left
hand is like a tight bowl with the fingers held together
and cupped. Both hands should be held at the abdomen and
the elbows pointing outwards and slightly forward. The
right hand will be like a fish with the thumb cradled in
the cup of the left hand.
|
|
SHRAMANA: Gesture of ascetic.
Also called renunciation mudra. The hand point
downwards away from the body as a symbol for
renunciation of secular pleasures.
|
|
SHRUSHA: Daughter-in-law. |
Denotes Caste |
SHUDRA:
Left hand Shikhara, right hand Suchi.
|
|
SHUNI:
Tip of middle finger (symbolized by Saturn) touches
the tip of the thumb, giving patience.
|
|
SHUNYA (SHOONYA / SUNJA):
Good for hearing problems. Sit comfortably. Put your
middle finger of both the hands at the root of the thumb
and press a little. Now keep your hands near the knee
with your palm facing upwards. Sit in this position for
five to ten minutes. Helps in earache, deafness, vertigo
and giddiness.
|
Aasanyukta Single Hand
Deva Hand
|
SIKHARA (SHIKHARA): Peak, spire. Deva
Kartikeya right hand. Deva Sanmukha's right
hand held upwards. Deva Manmatha's left hand.
Deva Varuna right hand. |
Aasanyukta Single Hand
|
SIMHA MUKHA (SIMHAMUKHA): Lion face. The
Simhamukha hand i.e., right hand Simhamukha and left
hand Pataka applied to the back of the right, fingers
move freely.
|
|
SIMSAPA: Simsapa Tree. Ardhachandra hands
crossed.
|
|
SINDHUM: Sindhum Tree. Mayura hands
interlocked.
|
|
SMAN:
|
|
SOLA-PADMA:
|
|
SOUBHAGYADANDINI:
|
|
SRI MUDRA: Surya? Mayura? |
|
STAPANI:
The Stapani mudra is the mudra of
establishment. The worshiper actually places the
presence of the deity into his or her heart.
|
|
SUCHASYA: Needle-face. |
Aasanyukta Single Hand
Deva Hand |
SUCHI (SHUCHI / SOOCHI MUKHA / SUCI / TARJANI):
Designating by name or inspiring terror, needle's sharp
point. Unwellness, spite, impatience, violent
temper, wanting to cling to everything-the cause for all
these unpleasant feelings is often full, and therefore
stressed, intestines.
First clench both fists and hold them in front of your
chest. While inhaling, stretch the right arms to the
right and point the index finger upward. At the same
time, stretch your left arm to the left. Hold this
tension for 6 breaths and then return to the basic
position. Repeat six times on both sides. For serious
chronic constipation, do four times a day. For light
constipation, repeat six to twelve times in the morning
and at noon. When traveling or in acute cases, practice
every morning before rising for 5 to 10 minutes while
comfortably lying in bed.
Deva Saraswati's right hand. Deva Yama's
right hand.
|
Aasanyukta Single Hand
|
SUKATHUND (SHUKATHUNDA / SHUKATUNDA / SUKATHUNDA):
Parrot's beak. |
|
SUKRA: Planet Venus. Mushthi with both
hands, the left raised, the right downward.
|
|
SURAHI (SURABHI): Wind. Effective against
Rheumatism. Join the little finger of one hand with the
ring finger of the other and vice versa. Similarly, join
the forefinger with the middle finger of the other hand
and vice versa. Leave your thumbs free.
|
|
SURYA (RAVI / SOORYA / SURJA / SURAY): Sun
posture.
Sit down comfortably with your back and neck
straight. Join tips of ring fingers at the root of the
thumbs and press with the thumbs. The rest three fingers
would be straight. Keep your hand at your folded knee,
remember to keep palm facing up. Put a little pressure
in your palm and rest of the hand would be in relax
position. This mudra creates heat in the body and is one
sure way of loosing excess fat and toning the body if
done for 20 minutes twice daily. Indigestion problem is
corrected if done after meals and in Vajrasana pose.
Sola-padma and Kapiththa hands held on the shoulders.
|
|
SUVRUTTA:
|
|
SWASHRU: Mother-in-law. |
|
SWASURA: Father-in-law. |
Sawyakta Double Hand |
SWASTIKA (SVASTIKA): Crossed, praising.
This Hastha is used to show alligator, to talk in fear,
to argument and to praise.
|
|
TADJAI:
Kaya (postural) utilizes asanas with breathing and
concentration.
|
Aasanyukta Single Hand
|
TAMARACHUDA (TAMARA KUDA HASTA / TAMRACHUDA / TAMRACUDA):
Rooster, cock, red crest, cock's comb. |
|
TARJANA: Gesture of Threatening. This
gesture is also called "warning"-mudra. Only the index
finger os raised while the other fingers are locked up
in the fist. You can find abhayamudrâ sometimes also as
a left-hand gesture. This mudra is characteristics of
most of the wrathful deities. |
|
TARPANA: The performance of homage, offering
gesture.
The Tarpana mudra is the mudra of offering.
Tarpana usually is performed in ceremonies respecting
ancestors who have passed on, in respect of the Guru,
the Sun, or any other deity. With the thumb and ring we
offer a pinch of whatever offering is being made.I n the
Pitri Shraddha the offering is sesame seeds in
water. In the Kali Puja it is wine.
The arms are bent at the elbow with hands raised even
with shoulders. The fingers are lightly bent with the
fingertip extending towards the shoulders. The palms of
the hands face downwards. A mudra frequently shown by
Namasangiti.
|
|
TATWA (TATTVA / TATVA): Tranquility. The
Tattva mudra is the mudra of the Principle. It refers to
the establishment of divinity within, and most often
indicates those places on the body which are different
seats of the various energies. Buddha gave it to his
disciples for control of the mind. Sit in easy Pose with
a straight spine and with the elbows bent, bring the
hands up and in until they meet in front of the body at
the level of the heart.
|
Aasanyukta Single Hand
Deva Hand
|
THRIPATHAAKA (TRIPATAKA): Flag with three colors,
parts. Deva Shambhu's right hand. A
tripataka using both hands is represented by the Deva
Vishnu. Deva Indra hands crossed. Deva
Agni right hand. |
|
TINTRINI: Tintrini Tree. Langula hand.
|
|
TRIKHANDAA:
|
Aasanyukta Single Hand
Deva Hand
|
TRISHULA (TRISULA): Trident. Deva
Kartikeya left hand. Deva Sanmukha left hand. |
|
TSE: This is a good mudra for handling depression.
Place hands on the thighs and place the tip of the thumb
on the root of the little finger. Encircle your thumbs
with the other four fingers while slowly inhaling. Hold
your breath for a few moments. Slowly exhale and then
open your hands.
|
|
UDANA (UDAN):
Develops the flow of energy and Chetna in all
the parts of body. This is one of the main functions of
this mudra. Join the tips of fore, middle and ring
fingers with the tip of the thumb, while keeping the
little finger straight.
|
|
ULBANA: Abundance. |
|
UMA NABLA HASTA (OOMAN ABHAM / OORNA NAABHA / URNANABHA):
Spider. |
|
UNMANI:
Mana (head) mudra. Mana mudras form an integral part
of kundalini yoga because they utilize eyes,
ears, nose, tongue and lips.
|
|
UPASAMHARA (UPASANGHARA): A call to all divine
beings to assemble. "May all Gods and Goddesses make
their presence manifest, right here, right now.
|
|
URDHESTITALS-PADMA: Indicating desires. |
|
USHAS:
New impulse and energy. |
|
USHTRO: Camel. THe Kadanjali hand, i.e.,
the thumbs of the Anjali hand are bent and moved up and
down.
|
Sawyakta Double Hand
|
UTSANGA HASTA (UTSANA): To embrace. |
|
UTTANAJA: |
|
UTTARABODHI: Gesture of supreme enlightenment,
perfection. Refreshes the system and charges it
with energy. Both hands are held at the level of the
chest, the two raised index fingers touch one another,
the remaining fingers are crossed and folded down.; the
thumbs touch each other at the tips or are also crossed
and folded. This mudra is frequently seen in images of
Vairochana.
|
Denotes Caste |
VAISHYA:
Left hand Hamsasya, right hand Suchi.
|
|
VAJRAHUMKARA: Gesture of HUM.
The Vajrahûmkara gesture shows wrists that are
crossed at the breast. The hands hold the Vajra
(=thunderbolt, male) and Ghanta (= bell, femala). The
right hand crosses over the left at the wrist, palms
facing inwards towards the chest und usually over the
heart. This is the gesture of Adi Buddha Vajradara,
Samvara and Trailokyavijaya.
|
|
VAJRA MUDRA (CHI
KEN-IN):
Gesture of knowledge fist, six element mudra, fist of
wisdom.
Stimulates the circulation. The Vajramudra is
formed by grasping the raised forefinger of the clenched
left hand with the clenched right hand, with the tip of
the right forefinger touching (or curled around) the tip
of the left forefinger. This is also known as the six
elements mudra, or the fist of wisdom mudra, for it
symbolizes the unity of the five worldly elements
(earth, water, fire, air, and metal) with spiritual
consciousness. The vajra mudra is typical of Korea and
Japan, but is somewhat rare in India, so it should
perhaps more appropriately be identified by its Japanese
name of Chi Ken-in.
|
|
VAJRAPRADAMA: Gesture of unshakable confidence.
The fingertips of the hands are crossed. The fingertips
of the hands are crossed, representing unshakable
confidence.
|
|
VAJROLI:
Contraction and release of the urinary passage in the
male body to stimulate swadhisthana.
|
|
VAKULA: Vakula Tree. Samdamsa hand.
|
Ten Avatars |
VAMANA: Mushthi with hands, one upward and the
other downward and toward the right side.
|
|
VARADA (VARA):
Gesture of granting wishes, charity, generosity,
welcome.
This mudra symbolizes charity and compassion. It is the
mudra of the accomplishment of the wish to devote
oneself to human salvation. It is nearly always made
with the left hand, and can be made with the arm hanging
naturally at the side of the body, the palm of the open
hand facing forward. The five fingers in this mudra
symbolize the following five perfections: generosity,
morality, patience, effort, and meditative
concentration. This mudra is rarely used alone, but
usually in combination with another made with the right
hand.
|
Sawyakta Double Hand
|
VARDHA HASTA (VARAHA): Boar. The Sankarna
Makara hand, i.e., in the Matsya hand the right hand is
held downwards and shaken, the five fingers are kept far
apart indicating bristles.
|
|
VARDHA MAANAKA (VARDHAMANA): Seedling, increase. |
Ten Avatars |
VARSHA:
Hands on the level of the waist kept to the sides.
|
|
VARUN (VARUNA): Water posture. Varun means
water. Water is life. Like air, water is vital for life.
A person can live without food for a few months, but it
is difficult to stay alive without water for more than a
few days. Fluidity is the characteristic attributed to
water. The water not only helps in liquidizing the food,
but it also creates various elements. Deficiency of
water element in the body increases dryness and makes
the body cells dry, which then become inactive. In the
absence of water element neither the flow of vital air,
nor its circulation can be settled. The water element
provides coolness and activity. This mudra works to get
rid of excess mucous that collects in the stomach and
lungs. People who have too much mucous usually believe
they are saddled with every responsibility. A mucous
overload is usually associated with over-stimulated
nerves.
Sit down comfortably with your back and neck
straight. Join tips of little fingers and thumbs and
keep rest three fingers straight. Keep your hand at your
folded knee. Keep your palm tight and rest of the hand
should be relaxed. Helps cure skin disorders, cures
impurities of blood , useful in gastro-enteritis. Helps
cure tension and cramps.
|
|
VATA: Banyan Tree. Pataka hand.
|
|
VAYU:
Wind. Vayu means wind and this mudra removes
flatulence. Benificial for bloating and abdominal
discomfort. Bend the index finger so that it touches the
soft part of the thumb. The remaining three fingers
should remain straight. It is beneficial for joint pain
in hands and feet, paralysis, hysteria etc. It is very
beneficial to do Prana mudra along with this mudra.
|
|
VETRA (VEETRAG): Dispassionate posture. |
|
VILWA: Wood-apple Tree. |
|
VIPARITA (VIPAREETA KARANI / VIPREETAKARNI):
Inverted psychic attitude. Kaya (postural)
utilizes asanas with breathing and concentration. |
|
VIPARYASTA: |
|
VIPRAKIMA: Loose. |
|
VISMAYA: Suggesting astonishment. |
|
VITARKA:
Gesture of argument, reasoning.
Spiritual guidance. The gesture of discussion and
debate indicates communication and an explanation of the
Dharma. The tips of the thumb and index finger touch,
forming a circle. All other fingers are extended
upwards. Sometimes the middle finger and thumb touch,
which is a gesture of great compassion. If the thumb and
ring finger touch, they express the mudra of good
fortune.
|
|
VYAGHRA: Tiger. The Ardhachandra hand held
face downwards.
|
|
VYAN (VIYAN):
Join the tips of fore and middle fingers with the tip
of the thumb, while keeping the little and ring fingers
separate. |
|
YAK: Yak. The hands touching at the wrists,
left hand Mushthi, right hand Mudrika, making the
Mushthi mudra hand.
|
|
YOGA MUDRA: Psychic union pose. |
|
YONI: Womb of creation, source. This mudra
is an exercise in pratyahara or withdrawal of the
senses. Blocking of your ears, eyes, noses and mouth you
retreat inside yourself. During the day the mind is
constantly bombarded with information or stimuli from
the five senses. Only when the senses are brought under
control and the mind is no longer pulled outward, can
you hope to be able to concentrate. The Yoni mudra
symbolizes the womb of creation. Hasta (hand),
meditative mudra. Redirects the prana emitted by hands
back into body.
|
Many such hand positions were used in the Buddhist
sculpture and painting of India, Tibet, China, Korea and
Japan. They indicate to the faithful in a simple way the
nature and the function of the deities represented. Mudras
are thus gestures which symbolize divine manifestation. They
are also used by monks in their spiritual exercises of
ritual meditation and concentration, and are believed to
generate forces that invoke the deity.
A mudra is used not only to illustrate and emphasize
the meaning of an esoteric ritual. It also gives
significance to a sculptural image, a dance movement, or a
meditative pose, intensifying their potency. In its highest
form, it is a magical art of symbolical gestures through
which the invisible forces may operate on the earthly
sphere. It is believed that the sequence itself of such
ritual hand postures may have eventually contributed to the
development of the mudras of Indian Classical dance.
The sanskrit word mudra is translated as 'gesture'
or 'attitude'. Mudras can be described as psychic, emotional,
devotional and aesthetic gestures or attitudes. Mudra is also
defined as a 'seal'. Mudras are subtle physical movements which
alter attitude, perception and deepens awareness and concentration.
a mudra may involve whole body in asana or pranayam or may simply be
a hand gesture. Mudras are higher practices which can lead to
awakening of chakras and kundalini hence should be practiced under
practical guidance of a guru or a teacher. Mudras can be categorized
into five approximate categories: